Normal asbl

Speculating on Change

Thursday 9 May 2013

XX Image Symposium

17 — 20 june 2013

Centro de Arte dos de Mayo (CA2M), Madrid

Open call for critical sessions Three open panels in the fields of theory and artistic practice for researchers: “Productive forms of alienation”, “the economy of attention” and “the community to come”, the heart of the three-day programme of conferences and workshops

Participants : Lars Bang Larsen, Diego Del Pozo, Rene Gabri & Ayreen Anastas, Beatriz Herraez, Fritzia Irizar, Luis Jacob, Santiago López Petit, Asier Mendizábal, Andrea Phillips, Vermeir & Heiremans.

Directed by Pablo Martínez and Vincent Meessen

These days the semiotic control associated with cognitive capitalism have become part of the fabric of life in all its aspects. The internet age has, of course, opened up space for the collection and redistribution of knowledge, but to turn a profit from these new spaces, the knowledge economy must imperatively colonise the time of users. This globalised semiocapitalism thus reconfigures various cultural ethoses by subjecting them to uninterrupted information flows, thereby saturating users’ attention spans. In this context the self-entrepreneurial artist, combining independence, creativity, flexibility, and above all self-exploitation, has become a cultural “role model” – the perfect embodiment of the neo-liberal script that openly fantasises about a world of creative, competitive operators engaging in self-exploitation by speculating on potential symbolic added value.

The specific forms of positivism associated with populist cultural policies and art speculation pose a threat to the values of autonomy, opposition and radical negativity. Some artistic practices seek to transform the conditions of their alienation into productive resources in response to the widespread trend towards commodification and the precariat. Such artists strive to regain control over their time and over a form of sociability that escapes the temporality of capitalism by experimenting with what initially appear to be incompatible syntheses between original critical forms and financial autonomy.

This “productive alienation” throws the voices of the codes like a ventriloquist, appropriating the protocols of finance and trade. It draws on the social time and knowledge-sharing typical of self-organisation. It subtly plays with the agendas of other actors in the art field. Such “alienated art” develops an “economy of attention”, short-circuiting the official channels in the hope of re-routing missing people towards works that potentially meet their needs. The artists, critics, and thinkers invited to speak at the 20th Jornadas will question the specificities of forms and protocols established by artists to renew the terms of criticism, thereby shaping the “community to come”.

Call for critical sessions Three open panels in the fields of theory and artistic practice for researchers: “Productive forms of alienation”, “the economy of attention” and “the community to come”, the heart of the three-day programme of conferences and workshops

Requirements and conditions To participate in the critical sessions it is necessary to submit the following documentation: Subscription Form Jornadas de la Imagen 2013

Project on Artistic Theory and Practice: In case of an essay, it should have the DIN A4 size; in case of an artistic practice, it should have the presentation of a memory, dossier or portfolio. Projects, both in Spanish and English, are accepted. Uncompleted applications won´t be accepted. The selected authors who wish to attend the Symposium and reside outside the Region of Madrid may benefit from a financial aid package.

Registration period Application deadline May 13, 2013. Participant may submit the aforesaid documentation by email: download form and send it, duly filled in, together with the project (in a .doc or .pdf format) to actividades.ca2m@madrid.org

Selection A committee comprised by the Symposium directors will select the projects for the critical session and for the artist´s workshop. A list of admitted participants will be posted on CA2M website on May 18. The selected participants will receive an express communication, which will state the date and time of his/her presentation at CA2M. Contact: actividades.ca2m@madrid.org or +34 912 760 227


contacts Normal

Normal is a non-profit association based in Brussels

For more information please contact us
info@normal.be
+32 2 378 21 88


Visit the old website

See the blog

Leituras do real, Lisboa

8 mars, par Current and Upcoming

A exposição IndieMovingImage celebra o décimo aniversário do IndieLisboa com apresentações de diversos artistas que participaram em edições anteriores do festival através da exposição de trabalhos de imagem em movimento: filmes e vídeos de artistas e realizadores produzidos para um contexto de instalação.
Cada espaço convidado apresenta o trabalho de um artista, mostra que estará patente de 7 a 10 de Março. Leituras do Real pretende reflectir sobre a imagem em movimento como ferramenta para pensar a situação contemporânea em Portugal e no mundo.

Galeria 111 | Michael Robinson
Carlos Carvalho Contemporary Art | Johann Lurf
Carpe Diem Arte e Pesquisa | Camille Henrot
Museu da Eletricidade - Fundação EDP | Filipa César
Galeria Graça Brandão | Ben Rivers
Galeria Miguel Nabinho | Vincent Meessen
Módulo - Centro Difusor de Arte | Atsushi Wada
Museu Nacional de Arte Contemporânea Museu do Chiado | John Smith
Galeria Zé dos Bois | Salomé Lamas

Comissariado por João Laia